Release date:
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February 8, 2013
|
Director:
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Neeraj Pandey
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Cast:
Language: |
Akshay Kumar, Anupam
Kher, Manoj Bajpayee, Jimmy Sheirgill, Rajesh Sharma, Kajal Aggarwal, Divya
Dutta, Deepraj Rana
Hindi
|
When the word “interval” flashed on screen halfway through
Special 26, I remember being taken
aback. Hadn’t the Censor certificate indicated a much longer film? How come the
interval had arrived so fast? A glance at my watch indicated that approximately
1 hour 15 minutes of the film had already rolled by! Whaaaaaaaaat?!
When a nearly two-and-a-half-hour film feels like it’s
short, you know it’s special. Special 26
is about a quartet of con men in 1987 who pose as CBI officials and conduct fake
raids on black-money-laden politicians and businesspersons. The story is as
basic as that. But with the treatment of the cons, the audacity of the players
in this game and the cool-headedness that helps them get away with their
crimes, writer-director Neeraj Pandey ends up giving us a thoroughly enjoyable suspense
drama – based partly on real-life events – that also serves as a stinging
indictment of our loophole-ridden criminal investigation system without
tomtomming the message, all while examining the psychology of the corrupt. It
is, as a certain lady from another film might have said: entertainment,
entertainment, entertainment.
A neatly understated Akshay Kumar as the leader of the
gang and Anupam Kher as his loyal cohort play off each other very well to deliver
engaging performances. With OMG Oh My God
and now this film, it’s clear that Akshay is trying to take his career in a
whole new direction, which is a relief because this is an actor who has grown
tremendously since we first saw him on screen and he really does owe it to
himself to do more than gaudy comedies like Rowdy Rathore and Khiladi 786 that are indistinguishable
from each other. In a role that unfairly gives him far less scope to display
his acting skills, Rajesh Sharma as Joginder proves that great actors often
rise above lack of screen time and dialogues. That one look of desperation he
throws at Ajay when a particular raid seems to be flopping is a lovely reminder
of the actor who played the corrupt-yet-good-hearted cop in No One Killed Jessica and that scintillating
scene where he casually mentions to Sabrina Lal that he took a bribe to not beat up her sister’s killer in
custody. The entire cast (Jimmy Sheirgill, Divya
Dutta in a small role and Deepraj Rana) acquit themselves well. But the stellar
performance in Special 26 comes from
Manoj Bajpayee whose turn as the straight-talking CBI official Wasim Khan is
his best in years (yes, I say that despite the accolades that have come his way
for Gangs of Wasseypur 1). And when
did this man become so thin? Did he lose weight for this role? Must say the extra
lean look suits Mr Bajpayee!
It’s also nice that Akshay does not hog
screen space in Special 26 although
he’s the superstar of the bunch. But then the question arises: why
does the film feel the need to assign a mandatory “love interest” to Ajay although
he is not a stereotypical Bollywood hero? That romantic track unnecessarily
slows down the film especially since every appearance by the girlfriend (played
by Kaajal Aggarwal who looks too young for Akshay) is accompanied by a loud,
tuneless, superfluous song. That brings me to the music by M.M. Kreem whose Tu miley dil khiley from Criminal still haunts me. In Special 26, his work is a huge
disappointment.
The pointless love angle notwithstanding, the screenplay
is taut and crisp for the most part, peppered with cheeky dialogues epitomised
by the honest official who asks his boss straight to his face: will you give me
a promotion or should I start taking bribes? For a change, the cops actually
look and behave like real cops instead of actors-playing-cops-and-robbers. The
art direction, costumes and styling are impeccably 1987, right down to the
ancient Maruti 800s and a relatively empty Connaught Place in Delhi (empty!
imagine that!) through which we witness one of the most exciting chases seen in
a Hindi film in recent times. Though we are told next to nothing of the four
crooks’ backgrounds and barely anything about Wasim Khan either, the brief
shots of their home spaces – the elderly man with lots of children and the
pregnant wife in Chandigarh, the doting
middle-class dad who orders a woman to cover up her cleavage when in public, an overhead shot of an Old Delhi home – are
deliciously telling. We didn’t really need to know anything more, which is why
we could have done without the passing reference to Ajay’s motivations for
forming his gang … half-baked, unconvincing, quite like
the attempt to explain the title by one of the characters. And it’s rather
inexplicable that despite the stashes of cash they’ve looted, the gang don’t
seem to have much money. Still, the execution of the heists is so entertaining
that these flaws somewhat fade into the background by the end of the film.
Neeraj Pandey’s earlier film A Wednesday was an equally well-produced, entertaining film though
its populist political stance was disturbing: in its indirect call to the general public
to take the law into their own hands, the film unabashedly and irresponsibly played
to the gallery in an angry, terror-ridden India. Special 26 taps into the prevailing frustration with corruption and
the “system” but stops short of glorifying the con men, simply telling it like
it is.
Bollywood rarely does thrillers, and the few it takes up
are rarely well done. That’s why Special
26 is such a very pleasant surprise.
Rating
(out of five): ***1/4
CBFC Rating (India):
|
U/A
|
Running time:
|
143 minutes
|
As always I love reading your review in detail after watching the movie. They should have come up with a better title for the movie. While the loopholes left me with unanswered questions, the pace dint give me any time to think!
ReplyDeletep.s. I thought you'd quote Anupam Kher's dialogue to Manoj Bajpayee, "Mere bahut saare chhote chhote bachche hain" :)
Dear Mallika,
DeleteFirst problem with the title is that some people are calling the film "Special Chhabbis" and others are calling it "Special Twenty-Six", which means it hasn't yet totally sunk in. And second, the explanation was fuzzy.
I didn't quote AK's dialogue but I did refer to the man with lots of kids, so as it turns out, you were right in guessing that I would react to that part of the story in my review. Looks like you've got me all figured out :)
Rgds, Anna
hi annaji,
ReplyDeleteApart from your review, the biggest highlight of this film according to me is the suspense element maintained post second half till its end which makes us thinking about the climax. Also it is shown that Ajay's gang are leading a simple middle class life even after heading towards making half century of raids;especially with one among them shown washing clothes and obeying the orders of his wife whereas the first raid shown in the film convince us that they can be filthy rich upon grabbing so much wealth from a minister's house considering the fact that the story takes place in the 1980s. On the whole Special 26 proves to be worth watching.
Regards
Dyne
The film was engaging enough but practically speaking, it should have been shown that the conmen's identity till the very end was not known and that they should have raided some other shop rather than this and kept the police guessing. I also didn't understand why Manoj Bajpayee's wife had to show her cleavage..? Nothing to do with the story!
ReplyDelete