Release
date:
|
March 30, 2018
|
Director:
|
Ahmed Khan
|
Cast:
Language:
|
Tiger Shroff,
Disha Patani, Manoj Bajpayee, Randeep Hooda, Prateik Babbar, Darshan Kumar,
Deepak Dobriyal, Grandmaster Shifuji Shaurya Bhardwaj, Vipin Sharma, Barbie
Sharma, Cameo: Jacqueline Fernandez
Hindi
|
“One man army… Against all… Kick…
Punch… Fly… Repeat” – these words flash on screen during the trailer of Baaghi 2.
“Kick… Punch… Fly… Repeat” was
the formula that turned Baaghi Part 1 into the blockbuster it became for actor Tiger Shroff in 2016. Part 2 regurgitates
the nuts and bolts of the template, retains Shroff in the cast and adds
all-pleasing clichés into the mix.
A bow to the ongoing
chest-thumping nationalist discourse in India – check.
Stylised action centred around
Shroff – check.
Extreme violence – check.
Romance with pretty girl to
soften the blows – check.
Pretty girl soaking in the rain
to establish her vivacity a la Shraddha Kapoor in too many of her films –
check.
Heroine accusing hero of chasing
her though he is not, in deference to male audience members who feel that is
precisely what all women do – check.
Heroine saying “I hate stalkers”,
I suppose in deference to feminists in the audience put off by the
aforementioned scene – check.
Heroine pretending to be
irritated with hero though she is not – check.
Songs to lighten the mood when
the going gets intense – check.
Villain dancing in darkened den
with ‘item’ girl – check.
Excuses in the plot that allow
Shroff to take off his shirt and display an impeccably muscled, painted-up
torso – check.
Hero’s shirt ripped off in the
final fight – check.
There are moments in Baaghi 2 that are so trite and so dated,
it feels like a 1970s-’80s assembly-line product. The shirt-stripping, of
course, is a 21st century Bollywood trope that was fun when it
started but is now becoming tedious in the hands of unimaginative directors.
And Baaghi 2 is nothing if not unimaginative and bland.
The film opens with an attack on
Neha (Disha Patani) by two masked men while she is seated in her car. For the
record, Patani here looks uncannily like Shraddha Kapoor who played the joint
protagonist of the previous Baaghi.
Cut to two months later, and we
meet Ranveer Pratap Singh a.k.a. Ronnie
(Shroff), an Army man stationed in
snow-laden, mountainous territory. Ronnie is introduced as an upright,
no-nonsense fellow who tied a civilian to a jeep and paraded him around the
area as retribution for stone throwing and disrespect to the national flag.
The reference is obviously to the real-life Major Leetul Gogoi who, last year, used an innocent civilian, Farooq
Ahmad Dar, as a human shield tied to his jeep while he drove through several
Kashmiri villages. The state human rights commission declared Gogoi’s act
illegal, and there is no evidence till date that Dar was guilty of any crime
that day, but the team of Baaghi 2 clearly
does not care for facts since pandering to majoritarian sentiments has yielded
box-office results for other Bollywood films in recent years.
The weird part is that this intro
is just an aside in a film that is primarily about Ronnie’s link to Neha.
We soon learn they were in love in college, and that four years earlier, she
had broken off their relationship to marry a man of her father’s choice.
In the present, the Goa-based
Neha seeks Ronnie out in desperation when her four-year-old daughter is
kidnapped. Ronnie takes leave from work to help her, but is soon flummoxed when
everyone around her, including her husband Shekhar Salgaonkar (Darshan Kumar),
insists that she does/did not have a child.
The pre-interval portion of Baaghi 2 remains suspenseful as we
grapple with the mystery of the missing girl. Unless you have already seen the
2016 Telugu film on which it is based – Kshanam directed by Ravikanth
Perepu, starring Adivi Sesh and Adah Sharma – there are questions that hold
attention for a while. Is Neha mentally disturbed? Does little Rhea exist?
The addition of a string of
promising supporting characters revs up the proceedings. There is the cynical DIG
Ajay Shergil (Manoj Bajpayee), the eccentric ACP Loha Singh Dhull a.k.a. LSD (Randeep
Hooda), Neha’s drugged-out brother-in-law Sunny Salgaonkar (Prateik Babbar) and
the well-meaning car dealer Usman Langda (Deepak Dobriyal). They offer hope
especially since Bajpayee, Hooda and Dobriyal are vastly superior artistes to
the gym-manufactured leading man.
Soon though it becomes evident
that director Ahmed Khan and his writers (story adaptation: Sajid Nadiadwala,
also the film’s producer; screenplay: Jojo Khan, Abbas Heirapurwala and Neeraj
Kumar Mishra) have bitten off more than they can chew.
The action becomes almost robotic
post-interval, the narrative cold, and the effort at clever dialogue writing is
laughable as the film drones on.
The stunts that start off as
worthy of wolf whistles lose their lustre soon enough. There is only so much
that style can achieve when substance is absent. Santhana Krishnan Ravichandran’s
camerawork is completely uninspired even as the film travels through beautiful
locations.
Randeep Hooda’s conviction in the
midst of such dullness is enjoyable for a while. He throws himself into the
role of a sartorially unconventional cop – posted in Goa from Punjab – who is
not above being impertinent with his seniors. He even manages to pull off lines
like, “Jaise udte Punjab ko main zameen
pe le aaya, waise doobte Goa ko kinaare pe le aaoonga.”
His charisma can do little for Baaghi 2 by its second half though, when
scene after scene is rolled out so lifelessly that even the usually fantastic
Deepak Dobriyal ends up sounding unwittingly comical when he says, with
reference to himself, in a particular tragic moment, “Hyderabad is not known
just for biryani, it is also known for qurbani
(sacrifice).” Tee hee. That sentence, by the way, is the writers’
transparent effort to offer up a ‘good Muslim’ in the script to counter the
initial pandering to Islamophobia and anti-Kashmiri-Muslim sentiment in the
opening scenes.
Ronnie in Baaghi 2 is meant to be some sort of profound metaphor for the Army
and the battle of nationalist versus anti-national forces. I realised this in
the closing moments, after the secret of Rhea’s disappearance is revealed to be
a damp squib and the villains have been vanquished in this seemingly personal
enmity, when Ronnie’s army boss pops up to bellow the words, “The war is over.
The war is over.” More unintentional hilarity, I say.
The much-discussed Ek Do Teen redux is the least of Baaghi 2’s problems. The music and
Jacqueline Fernandez’s dancing do not deserve the condemnation they have
received in response to the song video released earlier, but the overall effect
is unexceptional enough in comparison with the original featuring Madhuri Dixit
to make you wonder why they bothered to redo it.
At the heart of this film’s tribulations
lies Tiger Shroff. The young star’s nice-guy vibe and labours at the gym are
unmistakable, but can do little to make up for his blank face. Given that, and
the fact that the stunt choreography has nothing new to offer (unlike the
inventive use of Kalaripayattu in Baaghi),
Baaghi 2 is an all-out insipid
affair.
Tiger Shroff is just one of many
passionless ingredients in this passionless film.
Cautionary
note: Baaghi 2 is a great showcase for the
inconsistent track record of India’s Central Board of Film Certification. Limbs and necks are broken with gay
abandon throughout and at one point the camera focuses on DIG Shergil poking a
finger into a fresh bullet wound on Ronnie’s body. Yet this film has been
awarded a mild UA rating while others are routinely banned, chopped and/or
given A certificates merely as punishment for being realistic.
Rating
(out of five stars): *1/2
CBFC Rating (India):
|
UA
|
Running time:
|
144 minutes 46 seconds
|
A version of this review was published on Firstpost:
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