Showing posts with label Omi Vaidya. Show all posts
Showing posts with label Omi Vaidya. Show all posts

Tuesday, July 31, 2018

REVIEW 614: FOR HERE OR TO GO?


Release date:
July 6, 2018
Director:
Rucha Humnabadkar
Cast:
Language:
Ali Fazal, Rajit Kapur, Omi Vaidya, Melanie Kannokada
Hindi and English


It is almost embarrassing to have to review a film like this one. For Here Or To Go? feels, sounds and looks like the result you would get if someone handed a lot of pocket money and a camera to a not-so-bright kindergarten student. We all tend to be generous in our critiques of children’s work, but the dilemma here lies in the fact that director Rucha Humnabadkar is not a kid. Time for some tough love then, I guess?

For Here Or To Go? is the story of San Francisco-based software engineer Vivek Pandit (Ali Fazal) who is in a state of professional and social limbo because his US visa is on the verge of expiry. Vivek is surrounded by friends and acquaintances who are in immigration No Man’s Land, and the film is a call to Indians living abroad to not waste themselves on countries that are not particularly anxious to have them, when their own homeland would benefit greatly from their return.

Maybe there is a story there that needs to be told, but Humnabadkar is certainly not the person to be telling it. I would like to delve in detail into the directorial and writing nuances here, but unfortunately there are none. Often in the narrative you can see how the creator of this shipwreck may have thought she was being profound, such as in a conversation in which Vivek’s colleague Lakshmi (3 Idiots’ Omi Vaidya) finally reveals to his friends what was revealed to viewers early on, that he is gay, or when another friend, Amit (Amitosh Nagpal), speaks of the humiliation of flunking high school because of his poor English.

No doubt all this is meant to draw our sympathy for the social outcaste, but the film is too bad for it to matter. That it expects us to feel bad for its over-smart hero who was too cocky to treat his visa renewal with urgency is a bit much, especially when he goes all mawkish over a girl who changes her mind about being in a relationship with him when he tells her – after sleeping with her – that he may not be around in the US, which is her home, much longer.

In the midst of all this rambling around, senior actor Rajit Kapur plays a US-based business tycoon who is writing a book on why all Indians should go back home. I know there is a great intellectual point sought to be made through his boring ruminations, and again through the incomprehensible conversation he has with his daughter about a life-long misunderstanding between them, and the fact that three women in Vivek’s life are called Shweta, but I didn’t go searching for the meaning of any of these because they are poorly expressed and this film is such a waste of time. Nor will I strain myself too much to find out why Kapur agreed to be a part of it.

To describe For Here Or To Go? as mediocre would be a compliment. It is a pathetically written, terribly edited and directed film in which the dear young leading man gives it more of himself than it deserves. It must be a measure of Fazal’s struggle to get a foothold in filmdom that he has graced this whaddyacallit with his presence. It is infuriating to know that talented people like him and so many promising directors and writers have to fight so hard to make it, while others get funds to churn out full-length cinematic travesties like For Here Or To Go?.

The sweet boy from Fukrey deserves better than this non-starter.

Rating (out of five stars): 0 stars

CBFC Rating (India):
UA 
Running time:
1hour 45 minutes 


This review has also been published on Firstpost:





Sunday, January 8, 2012

REVIEW 122: PLAYERS

Release date:
January 6, 2012
Director:
Abbas Mustan
Cast:
Abhishek Bachchan, Neil Nitin Mukesh, Bipasha Basu, Sonam Kapoor, Vinod Khanna, Omi Vaidya, Sikandar Kher, Bobby Deol


So as it turns out I had fun watching Players. Yeah, I wish it hadn’t lazily glossed over the intricacies of the plots hatched by Charlie Mascarenhas (Abhishek Bachchan) and his troopers. I wish the directors had dumped Pritam’s tuneless songs. I wish some of the acting and dialogues had been better. But the truth is that despite all this, the pace of Players is such that I enjoyed it.
The film, as you know, is the official Hindi remake of the 2003 Mark Wahlberg-starrer The Italian Job which was inspired by the 1969 British classic of the same name starring Michael Caine. It’s the sort of clever heist flick that would appeal to the team who identify themselves rather quaintly as “director duo Abbas Mustan” in their credits. Having entertained us over the years with films such as Baazigar and Race, the “director duo” have begun our New Year with a film that is riddled with loopholes but I still say is basic paisa vasool.
Story: Charlie wants to rob a heavily guarded train carrying gold bars from Russia to Romania. To gather a team of the world’s best crooks for the job, he needs the help of his mentor Victor-dada (Vinod Khanna). The old man has promised his daughter (Sonam Kapoor) that he will not steal again, but the gold could fund an orphanage he dreams of opening, so he agrees. Enter: con artist Riya (Bipasha Basu), illusionist Ronny (Bobby Deol), explosives expert Bilal (Sikandar Kher), wannabe actor Sunny (Omi Vaidya) and computer wiz Spider (Neil Nitin Mukesh). Not a word will I say beyond this about the story, because any word would be a spoiler.
Though the basic storyline of Players comes from the Hollywood film, Abbas Mustan add enough desi ingredients (lowwe, emoshan etc) to make it their own. This is not the sort of film that particularly challenges any actor’s skills, but within the constraints of  the genre and the not-so-sparkling screenplay, I enjoyed watching Bipasha the most, followed by Neil who swings from boyish innocence to villainy to eccentricity in an amusing fashion. Abhishek is best suited to films where he is a suave city boy, but no other director handling him in such a role has got him to ease up in the way KJo did in Kabhi Alvida Naa Kehna. Having said that, the scenes in Players in which Charlie does voice impressions and wears Sunny’s lovingly fashioned mask are handled well both by the actor and directors – far better, in fact, than one such scene in Don 2!
Messrs Deol & Kher stare intensely at us throughout. I expected better of Kher considering the spark he showed even in that lost cause of a film with which he made his debut, Woodstock Villa. And while it’s appalling to see a young actor becoming a cliché with just a handful of films post-debut, in Players Omi Vaidya gets the best lines which he delivers with timing that actually overshadows the otherwise grating repetitiveness of his performance. “Sona kaha hai?” asks a villain desperate to retrieve his gold. “Yahaan bahut jagah hai, jaha bhi sona hai so jaao (or words to that effect),” replies Sunny, in the middle of one of the film’s most intense scenes.
The locations in Players are lovely, and the overall look of the film is slick. But finesse comes from bothering with details … such as the actors playing tiny roles. Vyacheslav Razbegaev makes a thoroughly enjoyable brief appearance as a Russian general with a fondness for sex and Raj Kapoor! But those Indian policemen guarding Victor-dada were a bad joke!
With all these reservations, I still won’t write off Players. Because Abbas Mustan and their screenplay writers Rohit Jugraj and Sudip Sharma give it so many unexpected twists and turns at such an unrelenting speed, that you don’t get much time to think about the gaping holes while the film is on. Q: How did Victordada manipulate matters while in jail to get to a fake hospital with fake staff? Q: Where did the Russians think their general was during the train robbery? Only those of you who have watched the film will understand my questions … my apologies to those who have not. Aur jaise haar kar jeetne waale ko baazigar kehte hai, usi tarah film enjoy karke phir bhi sochne waale ko critic kehte hai! So don’t think too much and you’ll probably enjoy Players in all its loophole-filled glory!
Rating (out of five): **3/4
PS: (1) Love the cars! Dear God, I don’t want gold, I just want enough cash to buy a Morris Cooper. (2) Why does Sonam get higher billing in the credits than Bipasha, though Bips is senior and has a more substantial role? (3) Yes boys, Bipasha does have a standard bikini scene in the film. Yes girls, the scene will make you insecure about your body! (4) For a change I was not put off by Johnny Lever. The episodes involving his firangi wife and servant are borderline racist, but also – I confess – hilarious.

CBFC Rating:                       U/A
Running time:                        160 minutes
Language:                              Hindi