Release date:
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July 14, 2017
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Director:
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Anurag Basu
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Cast:
Language:
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Ranbir Kapoor,
Katrina Kaif, Saurabh Shukla, Saswata Chatterjee, Rajatava Dutta, Saravajeet
Tiwari, Cameo: Nawazuddin
Siddiqui
Hindi
|
The infamous 1995 Purulia arms
drop case forms the backdrop of writer-director-producer Anurag Basu’s new film
starring Ranbir Kapoor and Katrina Kaif. Remember Purulia, the episode
involving a large cache of weapons mysteriously expelled from an aircraft
passing over villages in this West Bengal district? Remember the many
conspiracy theories floated around it? If you do not, a quick google search
will remind you how huge a news story this was back then, and what an unlikely
subject it is for a mainstream Hindi film with the appearance of being a
light-hearted entertainer.
That pivotal plot point is not
the only unconventional aspect of Basu’s Jagga
Jasoos. The film’s defining feature is that it is a departure from the
traditional Bollywood musical, and a bow instead to Broadway and old-style
Disney’s take on this artistic genre.
Both points are driven home
without delay and with infectious verve during Jagga Jasoos’s thoroughly enjoyable and intriguing opening sequence
in which cartons of arms and ammunition fall from a plane on to a television
crew at work in the Indian countryside. This is our introduction to the
character played by Saswata Chatterjee, who is part of that crew. The media and
politicians are all agog at this bizarre case, news anchors deliver their
bulletins and netas their reactions
in song, and there is enough energy on screen in that sequence to light up an
entire multiplex.
Cut to a pretty young woman
played by Katrina Kaif, who appears to be a teacher narrating stories of the
orphaned boy detective Jagga (Saravajeet Tiwari) to very young students – or
are they readers of her books? – via song and dance.
Jagga has a stammer that
he masks in silence. One day, Chatterjee’s character – who nicknames himself
Tutti Futti – enters the child’s life and guides him to use music to overcome
his speech disability. From then on, Jagga begins to converse through melody.
Tutti Futti adopts him and they lead a happy life in Manipur’s Ukhrul district,
before fate intervenes and separates the father from the son. Lonely Jagga (now
Ranbir Kapoor as a schoolkid) has a curious mind, which leads him to solve
mysteries that baffle even the police, and ultimately pursue the secret of his
Dad’s true identity – hence the jasoos
(detective) in the title.
How long will Basu manage
to sustain interest in a format so rarely used in Bollywood? Why did Tutti
Futti disappear? What was the secret behind the arms drop? Is Kaif a mere sutradhar or does she have a role in
Jagga’s life? These questions keep the first half of Jagga Jasoos going, when curiosity combines with Pritam’s cleverly
conceptualised compositions (pleasurable listening, if you have a taste for
Broadway musicals), Shiamak Davar’s imaginative choreography and Allan Amin’s
breathless action.
The dip in the second
half is almost tangible. Part of the reason is that by then, we have witnessed
Kaif’s entry into Jagga’s life as a certain Shruti Sengupta, so that her
continuation as storyteller immediately before and after the intermission (in
an observer avatar far removed from what Shruti is to the hero) does not gel
with the rest of the proceedings. Her role as narrator is overplayed
post-interval and the star’s own involvement in that part of the film seems to inexplicably
fizzle out. More to the point, Jagga
Jasoos takes too long to get to what you gradually realise is its primary
point, that point being Tutti Futti’s connection to Purulia. Although the
music, dance and stunts continue to be delightful, their appeal begins to feel
like style working over substance, and packaging over content.
Basu’s screenplay
zigzags about too much in the second half, leading to lack of clarity. Too many
things seem to happen for effect rather than with good reason. How, for
instance, does Shruti know African culture enough to charm a bunch of policemen
in the particular way she does in an alien land? There is also too much back
and forth in Tutti Futti and Jagga’s life timelines leading to confusion.
Kaif and Kapoor were
reportedly dating when shooting for this film started. Their real-life break-up
is said to have caused the inordinate delay in its making and release. You
would not be able to tell that from their pleasant chemistry on screen.
Saravajeet Tiwari who
plays little Jagga is sweet. Kapoor – who turns producer with this film –
throws himself into the role of Jagga Senior with gusto, and is fun to watch,
especially as he dances with charming, unself-conscious abandon to the song Galti se mistake with his schoolmates.
It does take a stretch of the imagination to accept this strapping,
mature-looking 34-year-old as a schoolkid – especially when the screen is
packed with actors who mostly look much younger, and especially because there’s a
dialogue trying to convince us that he is much younger than Kaif
(uff, come on!) – but his magnetic personality and the novelty of seeing him
sing some of his dialogues overshadow that incongruity.
Though Jagga Jasoos references several iconic
works of detective fiction, its deepest curtsey is to Herge’s Tintin
comicbooks. The older Jagga’s styling has clearly been inspired by Tintin – he
even borrows the Belgian boy detective’s trademark quiff. In an obvious tribute
to Herge, the sutradhar’s stories of
Jagga are contained in comicbooks which she likens to life.
Kapoor and Basu also manage to ensure
that Jagga’s stammer is handled with sensitivity and does not ever
become a source of humour aimed at him. Oddly enough, in a scene in which Jagga
interacts with Saurabh Shukla’s shadowy character and his cohorts, Kapoor seems
to briefly forget his stammer completely. This is disappointing because he is
remarkably consistent with it in the rest of the film.
Basu uses his leading lady
intelligently. Kaif has been getting more comfortable before the camera with
each passing year. She still does not have much acting depth but she does have
presence, and is well-suited to this role of a clumsy but spirited woman in a
zany film that calls for a touch of histrionic over-statement.
Like its main stars, Jagga Jasoos is great-looking. It has
been shot in South Africa, Thailand and Morocco, with Darjeeling being the
location in India. S. Ravi Varman’s visuals are extravagant, and apt for the
film’s massive canvas. Barring the glaring CGI work on a scene with a pair of
giraffes and some terribly done VFX involving ostriches, this is an eyecatching
film.
Jagga
Jasoos brings
together a range of quality ingredients, but something has gone wrong in the
cooking of it. It is highly engaging up to a point, but needed tighter writing
and direction to stay on course. The very idea of a musical action adventure
blending whimsy with eastern and western sensibilities is fascinating. The plus
point for me then is that a hard-core mainstream director and two out-and-out
mainstream stars have invested themselves in such an experimental project.
While that is not enough, it is still something worth celebrating.
Rating
(out of five stars): **1/4
CBFC Rating (India):
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UA
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Running time:
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162 minutes
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A
version of this review has been published on Firstpost:
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