Showing posts with label Bhavana. Show all posts
Showing posts with label Bhavana. Show all posts

Saturday, June 10, 2017

REVIEW 498: ADVENTURES OF OMANAKUTTAN


Release date:
Kerala: May 19, 2017. Delhi: June 9, 2017.
Director:
Rohith V.S.
Cast:


Language:
Asif Ali, Bhavana, Aju Varghese, Saiju Kurup, Siddique, Kalabhavan Shajon, Rahul Madhav, Srinda  
Malayalam


A young man called Omanakuttan works as a telemarketer in a firm that has attracted the suspicions of a Karnataka police officer played by Kalabhavan Shajon. The cop tries to get his seniors’ permission to investigate the alleged wrongdoings of the owner (Siddique) that have resulted in the stupendous success of a haircare product called Clintonica.

Omanakuttan (Asif Ali) may be a sales wiz but he is terribly socially inept. One day when a colleague cruelly rejects his romantic overtures, he goes into a slump. His boss’ effort to boost his morale by telling him to “market” himself better has an unexpected effect on him.

He begins having telephone affairs with a string of women, hiding his true identity, adopting a different attractive persona and interesting backstory for each one. Turns out sweet, simple-looking Omanakuttan with the facial twitch has a shadowy side to his personality that you would never guess at from looking at him.

So you think, okay, this looks like it could turn out to be something intriguing about the workings of a troubled human mind. Maybe what we are seeing here will later be revealed as a figment of Omanakuttan’s imagination? Maybe he used Clintonica on himself and ended up scrambling his own brain? Maybe the entire film is taking place inside his head? Who knows. The possibilities at this point seem endless.

After a while though, it becomes clear that Adventures of Omanakuttan is far from being the edgy thriller it promises to be. It is more trying-to-be-trippy than trippy.

And it is long. Gawd, it is long!

The plot recounted so far in this review accounts for just a milli-fraction of the proceedings in the film’s 2 hours and 46 minutes running time. That is 166 minutes of stretching. That is 9,960 precious seconds of my life that I will never get back because my congenital optimism persuades me to forever hope that perhaps the next scene in a film will throw up a twist so breathtaking that the journey up to there would have been worth it, or perhaps the next scene, or the next. Nothing of the sort happens here.

Adventures of Omanakuttan has a fair share of twists and turns, but the arduous storytelling style robs them of their sheen and in time, kills all suspense.  

You get the feeling that somewhere in debutant director cum co-writer Rohith V.S.’s maze of ideas is the seed of a good, quirky, experimental concept that could have been something. The film ends up being nothing much though because of its endless wanderings.

Asif Ali is as earnest here as he always is. He works hard to immerse himself in Omanakuttan’s character, managing to effectively portray the man’s diffidence and evolution without caricaturing him. Supporting cast members Aju Varghese and Saiju Kurup brighten up the proceedings with their comic abilities, but they get too little screen time.

The brightest spark in this dreary film is Bhavana playing Pallavi, a para-psychology buff and freedom freak. The ease with which Omanakuttan enters her life makes no sense, but I am grateful she stayed on, because Bhavana – who makes even plain cotton jumpsuits look swish in this film – is such a sight for sore eyes, so wonderfully easy before the camera and born to comedy.

A passing reference to homosexuality in Adventures of Omanakuttan indicates that this is a thinking team with potential as yet unfulfilled. At one point, we discover that a significant character is gay – it is an amusing moment yet the joke is not on him but on the situation. It takes writing and acting finesse combined with intelligence and basic human decency to derive humour from a social group that others routinely stereotype without resorting to stereotyping yourself. That the actors cast as the gay men in this scene are not camp, but fit very much into prevalent notions of ‘masculinity’, reveals volumes about Rohith V.S. & Co’s atypical mindsets.

These are rare qualities and the reason why it is important not to write off the team of Adventures of Omanakuttan despite this rant. The congenital optimist in me hopes that next time they will ditch self-indulgence and develop focus. Lack of focus and discipline are what make this film a meandering misadventure.

Rating (out of five stars): 1/2

CBFC Rating (India):
U
Running time:
166 minutes

This review has also been published on Firstpost:




Saturday, March 25, 2017

REVIEW 480: HONEY BEE 2: CELEBRATIONS


Release date:
March 23, 2017 
Director:
Lal Jr.
Cast:

Language:
Asif Ali, Bhavana, Lal, Sreenivasan, Lena, Baburaj, Sreenath Bhasi, Balu Varghese  
Malayalam

There are few mood killers more effective than a person who is overly aware of their good looks and a film that is conscious of being cool. In the case of the new Mollywood release Honey Bee 2: Celebrations, the self-consciousness is misplaced since there is nothing cool about this decidedly dull sequel to the 2013 hit Honey Bee.

Writer-director Lal Jr’s Honey Bee 2 takes off where the first film left off, recounting the suicide bid by Sebastian a.k.a. Seban (played by Asif Ali) and Angel (Bhavana). Saved from watery doom, the two become part of a witless scheme featuring their friends Ferno (Baburaj), Abu (Sreenath Bhasi) and Ambrose (Balu Varghese) and Angel’s tempestuous brothers who are now reconciled to their romance.

The goal: to get Seban’s parents’ approval for his marriage to Angel. The catch: he is afraid they may feel hurt that their son chose his bride while they were estranged. Pretending that Seban and Angel do not know each other, Mikhail (Lal) and Angel’s remaining siblings propose the alliance to Seban’s Mum and Dad, Ruby (Lena) and Thampi Anthony (Sreenivasan).

Far from being the buddy flick that the first one was, this one ends up being a strained, over-stretched family drama with the plot centering around Seban’s love for his parents, his desire not to cause them pain and his highly contrived actions as a result. The film falls flat in its bid to be emotional, and the effort dilutes its comedic elements which, in any case, are repetitive, loud and too often crass.

Is it really funny that a bunch of people shout a lot or down litres of alcohol? How juvenile must you be to enjoy the use of crude words and gestures to indicate human body parts?

The early scenes hold out promise if you have a taste for slapstick humour. Ferno’s English remains amusing, but how long can he sustain himself on that prop? Like actor Baburaj playing Ferno, Sreenath Bhasi too retains his comic timing as Abu, but all three friends are poorly developed in the script and relegated to the sidelines.

With Lal Jr undecided about what he wants the film to be, the second hour of Honey Bee 2 goes round and round in circles, with a multiplicity of characters adding to the consequent confusion.

The confusion becomes irrelevant though, because Seban is an unlikeable bore, and frankly, it is hard to care beyond a point whether he loves Angel, why he wants to be with her and whether they will end up together.

In fact, it is impossible to imagine why this vivacious, intelligent woman would want to be with this charmless fellow, or why the film revolves around him and not her. Equally, what does it say about the choices available to female artistes in Malayalam cinema, that an interesting, beautiful actress like Bhavana agreed to play a supporting character in such an ordinary film focused on a male star with far less charisma than she possesses?

Low-brow humour is bad enough, but what is a viewer to do with lack of energy and lack of purpose? The most fun I had with Honey Bee 2: Celebrations came from wondering where I might source that lovely modernised adaptation of the settu mundu Angel wears at her engagement ceremony; and from the foot-tapping songs Jillam jillala and Nummada Kochi, their music by Deepak Dev, the choreography, and in particular Lal’s uninhibited dancing to both.

Yes I do want to check out that chicken-laden “kaayika biriyaaniyude ruji” but macha, before that I must have a cup of coffee to jolt myself out of the boredom emanating from this film.
  
Rating (out of five stars): *

CBFC Rating (India):
UA
Running time:
128 minutes

A version of this review has also been published on Firstpost: