Release
date:
|
August 15, 2018
|
Director:
|
Reema Kagti
|
Cast:
Language:
|
Akshay
Kumar, Kunal Kapoor, Amit Sadh, Sunny Kaushal, Vineet Kumar Singh, Mouni
Roy
Hindi
|
Chak De! India is arguably the gold standard for any
contemporary Hindi film hoping to use sport as a showcase for this country’s
complex multi-cultural landscape. Gender politics, a factious nation’s
religious and regional tensions, and the inevitability of inter-personal
rivalries in a team game all found a place in Shimit Amin’s fabulous 2007 film
about the Indian women’s hockey team at the turn of the century
finding its oxygen under a new coach, yet it appeared not to strain a
nerve to sermonise. Chak De! is a
hard act to follow.
Director Reema
Kagti’s Gold sets itself on the same
playing field – hockey, this time for men – but shifts its gaze to a period
stretching from 1936 pre-Independence India to the first Olympics we played
after the British left our shores. India, as we know from history texts,
dominated world hockey for several decades back then. Cobbling a team together
for the 1948 Olympics was a challenging task, however, for a fictional team
manager called Tapan Das (Akshay Kumar), Partition having robbed us of many of
our finest
sporting talents. In this scenario, Tapanda battles his own alcoholism and a
cynical hockey establishment, in addition to the parochial and class divisions
within the team to get free India a gold, not so much for sporting glory and
self-realisation but to take revenge on our former colonisers.
In the tradition of several
Akshay Kumar films of the past 3-4 years, Kagti – who earlier made the neatly
irreverent Honeymoon Travels Pvt Ltd
and the wonderfully mellow Talaash
– goes full throttle into loud, chest-thumping nationalist territory for Gold. If a point has to be made, it is
spelt out not once but repeatedly. If a personal experience has to be a source
of inspiration for a brainwave on the hockey field, the dialogue from the
earlier moment must be replayed, on the assumption perhaps that viewers are not
bright enough to get the hint from the proceedings on screen. If two characters
are going to be at war in the dressing room, then their potential clash is
announced through a long song during which the visuals stress and re-stress and
further stress their class differences, just in case the audience did not quite
get it from the initial indicators of one chap’s evident aristocratic
background and the other’s evident lack of it. And when the national
anthem plays in a scene that is truly and unexpectedly moving, the emotional
resonance of the turn of events that preceded it is not deemed enough, the film’s
patriotic fervour has to be underlined with a fluorescent marker in the form of
one man – you can guess who – shouting Vande
Mataram.
It is hard to understand why a
filmmaker as gifted as Kagti could not see that there is melodrama and great
beauty intrinsic to the story of a newly Independent and poor nation winning a
hockey Olympic gold for the first time under its own flag. The failure to
recognise this is Gold’s Achilles
heel. Kagti does manage to weave some moments of quiet into the larger tapestry
of overstatement she is working on – such as that scene in which the team first
realises they will be ripped apart by Partition, or the dynamics in the bar
fight which almost destroys Team India, or the warmth between the former
teammates turned rivals from India and Pakistan at Olympics 1948, and most of
all the two hockey matches that dominate the closing half hour. These are the
passages in which we get to see what Gold
could have been if it had not underestimated its audience or been overly
anxious to cash in on the raucous, aggressive patriotism dominating the current
national discourse.
Kagti has saved her best for Gold’s last 30 minutes, during which,
despite all the film’s follies, I found myself cheering for the Indian team and
welling up with emotion for them.
Of the cast, Sunny Kaushal and
Amit Sadh play the only hockey players who are well fleshed out in the writing.
The excellent Vineet Kumar Singh takes on the role of Imtiaz Ali Shah, captain
of the undivided Indian team, giving his character far more heft than the
screenplay affords. Unfortunately for the film, these men are sidelined in
favour of Akshay Kumar’s Tapanda – of course – who is foregrounded throughout.
Kumar gets the most screen time as
manager-cum-talent-scout-cum-coach-cum-everything to the team, but delivers an
awkward, uninspired performance in which his effort to be Bengali overshadows
all else.
The oddest part of Gold is the fictionalisation of the
hockey players who in reality won India golds at the 1936 and 1948 Olympics.
Dhyan Chand and his colleagues are all part of sporting legend in India, yet
for some reason, instead of using the names of these men who did us proud and
bringing their characters to life, we get made-up names and characters based on
their experiences instead in Gold.
Yelling out Vande Mataram on screen
can hardly compensate for this disservice to these giants from our past.
Gold has its occasional
redeeming moments, but for the most part it just skims the surface of a
landscape once examined with such depth by Chak
De! India.
Rating
(out of five stars): *3/4
CBFC Rating (India):
|
UA
|
Running time:
|
2 hours 33 minutes
|
This review has also been published on Firstpost:
Poster
courtesy: https://en.wikipedia.org/wiki/Gold_(2018_film)
