Dear Readers,
It isn’t often that
this happens, but Bollywood in 2013 threw up a bunch of roles for female leads
that were as important as the male leads in the film. This is unusual for this
shamelessly male-dominated industry that continues to give precedence to the
male gaze, male stars, male characters in films and stories told from the male
point of view. Deepika Padukone led the ladies’ gang with not one, but three
films offering her roles as crucial as her male co-stars’ characters: Yeh Jawaani Hai Deewani, Chennai Express and Goliyon ki Raasleela Ram-leela.
It’s a measure of
how difficult the situation remains for women, that despite this year of
progress, two out of these three films were based on stories being told from
the hero’s point of view. Only Ram-leela
brought to us a world seen as much through Leela’s eyes as through Ram’s. It’s
good not to forget either that in this same year, Deepika also starred in a
non-descript role in Race 2, the sort
that her industry would describe as the “traditional Bollywood heroine role”
where the woman’s job is to be the “glamour element” in the film, the hero’s
“love interest” and a pretty prop against the backdrop of which the man’s life
plays out.
More to the point
is the fact that each of the films from which I picked 11 Best Actress nominees
had equally important if not more important male protagonists, but if you go
back to the poll for Best Actor, you will find the following pattern among the
15 nominees:
7 out of 15 Best
Actor nominees came from films which had an equally crucial role for a woman (in
terms of screen time and the character’s importance): Lootera, Club 60, The Lunchbox, Raanjhanaa, Prague, Yeh Jawaani Hai Deewani and Ram-Leela.
2 out of 15 had
what Bollywood might insist on calling a heroine but what in truth can at best
be described as a supporting role to the hero: Krrish 3 and Jolly LLB.
6 out of 15 had no
female lead at all: Shahid, Bhaag Milkha Bhaag, Special 26, Aurangzeb, Kai Po Che and Nautanki Saala.
Despite this, 2013
was still a better than usual year for women in Bollywood.
So the question I
asked in this poll was:
FROM THE FOLLOWING PERFORMANCES, WHO WOULD YOU PICK AS
BOLLYWOOD’S BEST ACTRESS OF 2013?
Here’s how you
voted:
The winner, the one
picked by a majority of you as the year’s Best Actress: 38.5% of you chose Deepika
Padukone for her role in Ram-leela
The runner-up with 28.8% of the votes is Deepika Padukone in Chennai Express, which should underline the point I made when I announced the
poll, that while giving away acting awards we should always pick performances
and not roles or actors and actresses.
The third spot with
9.6% of the votes went to newcomer Nimrat Kaur in the highly critically
acclaimed film The Lunchbox
9.1% of you voted for Deepika
Padukone (again!) for her performance in Yeh Jawaani Hai Deewani.
Clearly, 2013 was Deepika’s year all the way. And going by the box-office and
reviewer response to Ram-leela, Chennai Express and YJHD, hopefully she will avoid forgettable roles in films like Race 2 in the future, however much they
may seem guaranteed to make big bucks at the turnstiles.
3% of you voted for Parineeti
Chopra in Shuddh Desi Romance
1.4% each went to Sonam
Kapoor in Raanjhanaa and Vidya
Balan in Ghanchakkar
Elena Kazan in Prague, Mahie Gill in Saheb Biwi Aur Gangster Returns and Sarika
in Club
60 each got 0.5% of the vote
MY TAKE:
Since I’ll be
filing a separate blog on my choice of Best Actress 2013, I won’t tell you here
who I voted for. Do look out for that blog post in the coming weeks.
Until then, do vote
in the next poll which is already up. Question: From the following performances (listed in
alphabetical order), who would you pick as Bollywood’s Best Supporting Actress
of 2013?
Warm regards,
Anna
Photographs
courtesy: (a) The Wikipedia pages of Lootera, The Lunchbox and Yeh Jawaani
Hai Deewani (b) annavetticadgoes2themovies for Raanjhanaa, Ghanchakkar, Chennai Express, Club 60, Ram-leela, Prague, Shuddh Desi Romance and Prague
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ReplyDeleteHi Ma'am,
ReplyDeleteGood review.i just need to disagree on one point
I think what the director here is trying to say subtly is how ,career oriented working parents can sometimes unconsciously overlook the emotional and social needs of a child
Well isn't it true,whenever a child goes astray a lot of onus is on the parents.Here the contrast is between a well knit,intimate,loving one and a aloof,not so intimate one
I don't think the comparison is on the professional status of the women
Given the statement ,on mohanlals acting prowess,I think he s the best among his comtemporaries,but then it's my personal opinion,but will hold good for me